I. Review: Harmonic Function, Counterpoint (Suspensions & Retardations), and Compound Melody.
A. Harmonic Functions in Antonio Caldara’s “Alma del core”
Click here for the score: Alma del Core
And here is a recording:
B. Counterpoint in Schubert’s Moment Musicaux No. 6 in A-flat major, D. 780
C. Compound Melody in Mozart’s Piano Concerto in A major, K. 488, ii
II. Discussion of “What is a Phrase? What is Phrase Rhythm,” the first chapter from Rothstein’s Phrase Rhythm in Tonal Music.
What is a phrase?
What is phrase rhythm and what is hypermeter?
III. A Brief Introduction to Schenkerian Analysis: Basic Concepts and Two Demonstrations
A. Some Basic Concepts for Schenkerian Analysis
B. Mozart, K. 333, i, the first phrase
Working Through aSchenkerian Analysis of K. 333, iii, mm. 1-8 as a class
C. Caldara, “Alma del core”